Jon Bausor

Jon’s recent design credits for theatre include The Soldier’s Tale (Old Vic); The Great Highway (Gate Theatre); Cymbeline (Regent’s Park Open Air Theatre); The Hoxton Story (Red Room); Frankenstein (Derby Playhouse); Bread and Butter (Oxford Stage Company/Tricycle); Carver (Arcola Theatre); The Last Waltz season (OSC/Dumbfounded); Melody, In the Bag (Traverse); The New Tenant, Interior, The Expectation and the Rule, Winners, The Soul of Chien-nu (Young Vic); Sancturary, The Tempest (National Theatre); The Taming of the Shrew (Thelma Holt/Theatre Royal, Plymouth/ No.1 Tour) and Switchback, Possible Worlds (Tron Theatre, Glasgow). Design credits for dance includes Snow White in Black (Phoenix Dance Theatre/Sadler’s Wells/Tour); Ghosts, Before the Tempest, Sophie, Stateless, Asyla (Linbury Theatre, Royal Opera House); Mixtures (Westminster Abbey/English National Ballet) and Non Exeunt (George Piper Dances/Sadler's Wells).  Opera design credits include The Knot Garden (Klangbogen Festival, Vienna); The Queen of Spades (Edinburgh Festival Theatre), Cosi Fan Tutte (Handmade Opera) and King Arthur (New Chamber Opera).  Jon was a finalist in The Linbury Prize 2000.

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